Some quotations to orient our discussion of Cornell and Cocteau.
Brian Frye on Rose Hobart: "In Rose Hobart, Cornell holds Hobart in a state of semi-suspension, turning the film itself into a sort of box. She moves her hands, shifts her gaze, gestures briefly, smiles enigmatically, perhaps steps slightly to the side, and little more. The world appears as a sort of strange theatre, staged for her alone."
Jean Cocteau: "The collective hypnosis into which the cinema audience is plunged by light and shade is very like a spiritualist seance. Then, the film expresses something other than what it is, something that no one can predict." (Speech at the Institut des Hautes Etudes Cinematographiques, September 9, 1946, quoted in Cocteau, Jean The Art of Cinema, trans. Robin Buss. London and New York: Marion Boyars, 2001, p. 25)
Victor Burgin: "What we may call the 'cinematic heterotopia' is constituted across the variously virtual spaces in which we encounter displaced pieces of films: the Internet, the media and so on, but also the psychical space of a spectating subject that Baudelaire first identified as 'a kaleidoscope equipped with consciousness'. (The Remembered Film. London: Reaktion Books, 2004).
Tuesday, August 7, 2007
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